Woman Who Powders Herself, The (1972)

La Femme qui se poudre (The Woman Who Powders Herself) is, as the title implies, an evocation of concealment and unmasking, where the mundane act of a Victorian-era woman's ritualistic application of cosmetic powder seemingly opens the window - or perhaps, Pandora's Box - into underlying human anxieties of physical beauty, youth, desirability, and objectification.

Also Known As:
La femme qui se poudre